Review: Cry/Laugh, Òran Mór, Glasgow, Neil Cooper. July 2026
A captivating and absurdist comedy, Cry/Laugh is a delightful addition to the A Play, A Pie and A Pint lunchtime theatre season. With a unique blend of medieval storytelling and modern technology, this play offers a fresh take on the classic town crier and court jester duo. The story follows our two main characters, played by Morven Blackadder and James Peake, as they struggle to find their place in a world that increasingly values gadgets over genuine human connection.
What makes Cry/Laugh truly stand out is its clever use of life-size puppets and framed storytelling. As the town crier and court jester, our characters are reduced to telling their stories with the help of these puppets, creating a unique and engaging performance style. The play's setting in a 'latter-day limbo' adds to the absurdist humor, as the characters navigate a world that seems to have forgotten the value of face-to-face communication.
The production, directed by Brian Logan and Ben Standish, is a masterclass in comedy. The dynamic duo, Blackadder and Peake, deliver slapstick performances that are both hilarious and thought-provoking. Their journey through the future, where news is relayed in a million different ways and Siri has an answer for everything, highlights the irony of a world that has forgotten how to connect.
One of the most intriguing aspects of Cry/Laugh is its commentary on modern society. The play explores the idea that we often prefer the convenience of technology over genuine human interaction. The characters' struggle to find an audience for their stories in a world dominated by gadgets is a powerful metaphor for our own reliance on digital connections.
In my opinion, Cry/Laugh is a must-see for anyone who appreciates absurdist comedy and clever storytelling. The play's unique blend of medieval and modern elements, coupled with its insightful commentary on human connection, makes it a truly memorable experience. The use of puppets and framed storytelling adds a layer of creativity that sets it apart from traditional theatre, making it a fresh and engaging addition to the A Play, A Pie and A Pint season.
The play's exploration of the relationship between technology and human connection is particularly fascinating. It raises questions about the future of communication and the potential consequences of our increasing reliance on digital devices. As the characters navigate their surreal journey, the audience is left to ponder the balance between the convenience of technology and the richness of human interaction.
In conclusion, Cry/Laugh is a brilliant and thought-provoking comedy that offers a unique perspective on the relationship between technology and human connection. The play's absurdist humor, clever storytelling, and insightful commentary make it a must-see for anyone who appreciates intelligent theatre. The use of puppets and framed storytelling adds a layer of creativity that enhances the overall experience, making it a truly memorable addition to the A Play, A Pie and A Pint season.
